ƒMƒƒƒ‰ƒŠ[ƒAƒNƒVƒX6917‚ÌTOPƒy[ƒW‚Ö
“WŽ¦ˆÄ“à•ƒjƒ…[ƒX ‰ß‹Ž‚Ì“WŽ¦ˆê—— Žæ‚舵‚¢ì‰Æˆê—— œ“ŸEƒAƒ“ƒeƒB[ƒN Œð’ʁEƒAƒNƒZƒXƒ}ƒbƒv ƒMƒƒƒ‰ƒŠ[ƒAƒNƒVƒX6917‚ɂ‚¢‚Ä
ƒsƒbƒNƒAƒbƒvEƒL[ƒ[ƒh
“WŽ¦‰æ‘œ


gallery AXIS 6917


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ƒMƒƒƒ‰ƒŠ[Ž›‰º‚ɂ‚¢‚Ä




M‰z ’¼–Ø



M‰z’¼–Ø2006”NŒÂ“W

2006”N12ŒŽ ŒÂ“W GALLERY TERASHITA

M‰z’¼–Ø2009”NŒÂ“W

2009”N3ŒŽ ŒÂ“W GALLERY TERASHITA
M‰z’¼–Ø2010”NŒÂ“W

2010”N3ŒŽ ŒÂ“W GALLERY TERASHITA
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—ª —ð

1953 “Œ‹ž“s¶‚Ü‚ê  
1978 “Œ‹ž‘¢Œ`‘åŠwŠG‰æ‰È‘²‹Æ  
 
 
ŒÂ“W 2010 GALLERY TERASHITA (“Œ‹ž)  
2009 GALLERY TERASHITA (“Œ‹ž)  
2006 GALLERY TERASHITA (“Œ‹ž)  
ƒMƒƒƒ‰ƒŠ[‚¹‚¢‚Ù‚¤ (“Œ‹ž)  
2004 uƒhƒ[ƒCƒ“ƒO“Wv GALLERY TERASHITA (“Œ‹ž)  
2003 Gallery Appel (“Œ‹ž)  
ƒMƒƒƒ‰ƒŠ[‚¹‚¢‚Ù‚¤ (“Œ‹ž)  
uHANGED - it's All Right MAv GALLERY TERASHITA (“Œ‹ž)  
2001 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1999 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
MORIOKA‘æˆê‰æ˜L (·‰ª)  
1997 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1996 MORIOKA‘æˆê‰æ˜L (·‰ª)  
Galerie de Cafe“` Part1,Part2 (“Œ‹ž)  
1995 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1993 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1992 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
ƒMƒƒƒ‰ƒŠ[‰iˆäËŽq (“Œ‹ž)  
1989 ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1985 ƒMƒƒƒ‰ƒŠ[Q (“Œ‹ž)  
1984 ƒMƒƒƒ‰ƒŠ[Q (“Œ‹ž)  
1983 ‚Ý‚ä‚«‰æ˜L (“Œ‹ž)  
 
ƒOƒ‹[ƒv“W‚È‚Ç 2013 uM‰z’¼–Ø x –q“c‘•½v gallery AXIS 6917 (•Ÿˆä) “WŽ¦‰æ‘œ-ƒuƒƒO‚Ö
2010 uŽ†‚ÌŽdŽ–^—é–Ø—²A¡àV³A¬—яr‰îAM‰z’¼–؁v GALLERY TERASHITA (“Œ‹ž)  
uƒRƒŒƒNƒVƒ‡ƒ““WF ƒQƒ“ƒ_ƒCƒrƒWƒ…ƒc -“¹iƒhƒEHjv —û”n‹æ—§”üpŠÙ (“Œ‹ž)
 
2009 uKamiF Ã‚Æ“®\Œ»‘ã“ú–{‚Ì”üpv ƒUƒNƒZƒ“B—§”üpŠÙ“º”ʼnæŠÙ (ƒhƒCƒc)  
2008 u1st Small Formatv@GALLERY TERASHITA (“Œ‹ž)  
2006 ŠJŠÙ‚Q‚OŽü”N‹L”O ¢“c’J”üp“W‚Q‚O‚O‚U ¢“c’J”üpŠÙ (“Œ‹ž)  
2003 uV”N‚Ì‚¨‚­‚è‚à‚́v ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
‰zŒãÈ—LƒA[ƒgƒgƒŠƒGƒ“ƒi[ƒŒ2003 (VŠƒ)  
2001 uNEW YEAR COLLECTIONv ƒMƒƒƒ‰ƒŠ[ƒCƒfƒA (“Œ‹ž)  
2000 ƒVƒŠ[ƒY‚VuŠâŽè‚ÌŒ»‘ãì‰ÆvM‰z’¼–؁Eˆ¢•”—zŽq“W äݓSŒÜ˜Y”üpŠÙ (ŠâŽè)  
1998 uƒCƒ“ƒTƒCƒh (ƒAƒEƒgƒTƒCƒh “ú–{Œ»‘ã’¤‚Ì‚Wlv VŠƒŒ§—§‹ß‘ã”üpŠÙ (VŠƒ)  
1997 uEach Artist Each Moment 1997v ƒMƒƒƒ‰ƒŠ[GAN (“Œ‹ž)  
uÂ“º‚̉”\« CASTING SCULPTURE `Bronzes by Four Artists`v “c’†‰æ˜L (“Œ‹ž)  
“ñl“W MORIOKA‘æˆê‰æ˜L (·‰ª)  
¢“c’J”üp“Wf‚X‚W ¢“c’J”üpŠÙ (“Œ‹ž)  
1996 u™³™´‚Í”ò–ôv ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
‘ÌŠ´‚·‚é”üpf‚X‚U ƒA[ƒeƒBƒXƒg‚ƍl‚¦‚éuƒTƒoƒCƒoƒ‹Eƒc[ƒ‹v ²‘qŽs—§”üpŠÙ (ç—t)  
¢“c’J”üp“Wf‚X‚V ¢“c’J”üpŠÙ (“Œ‹ž)  
1995 ¢“c’J”üp“Wf‚X‚U ¢“c’J”üpŠÙ (“Œ‹ž)  
1994 u‹à—j“ú‚Ì‚Ü‚ê‚Ñ‚Æ‚½‚¿A‚»‚Ì‚Rv ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
¢“c’J”üp“Wf‚X‚T ¢“c’J”üpŠÙ (“Œ‹ž)  
1993 ƒ‚©‚½‚Ü‚è’¤„‚Ƃ͉½‚© ¬Œ´—¬‰ïŠÙ (“Œ‹ž)  
¢“c’J”üp“Wf‚X‚S ¢“c’J”üpŠÙ (“Œ‹ž)  
1992 ¢“c’J”üp“Wf‚X‚R ¢“c’J”üpŠÙ (“Œ‹ž)  
uTEMPS VICTIM ¶‚«‚ç‚ꂽ‚W‚O”N‘ãv ƒGƒXƒpƒX¬Œ´ (“Œ‹ž)  
1991 ¢“c’J”üp“Wf‚X‚Q ¢“c’J”üpŠÙ (“Œ‹ž)  
1990 uŒ»‘ã’¤‚Ì•à‚Ý ‚P‚X‚V‚O”NˆÈ~‚Ì•\Œ»|•¨Ž¿‚Æ‹óŠÔ‚Ì•Ï—ev_“ސ쌧–¯ƒz[ƒ‹ƒMƒƒƒ‰ƒŠ[ (‰¡•l)  
‘æ‚X‰ñ •½sŒ|p“W ŠùŽ‹Š´‚̐H‘ì ¬Œ´—¬‰ïŠÙ (“Œ‹ž)  
¢“c’J”üp“Wf‚X‚P ¢“c’J”üpŠÙ (“Œ‹ž)  
1989 ‘æ‚Q‚T‰ñ ¡“ú‚̍ì‰Æ“W u‚©‚ߍÀ‚Ì‚µ‚邵v ‰¡•lŽs–¯ƒMƒƒƒ‰ƒŠ[ (‰¡•l)  
1988 uƒfƒbƒTƒ“|’¤‰Æ‚É‚¨‚¯‚év ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
1987 u‚Õ‚ë‚Ý‚µ‚ñ‚®E‚È‚Ñ‚·v ‚È‚Ñ‚·‰æ˜L (“Œ‹ž)  
uNEW TRENDS ¢“c’J‚̐V¢‘ãv ¢“c’J”üpŠÙ (“Œ‹ž)  
1986 uCONTEMPORARY ART FROM TOKYO-86v YOON GALLERY (ƒ\ƒEƒ‹)  
1983 u6 INTENTIONv ƒMƒƒƒ‰ƒŠ[Q (“Œ‹ž)  




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